Getulio alviani biography books
Getulio Alviani
Italian painter (1939–2018)
Getulio Alviani (5 Sep 1939 in Udine – 24 Feb 2018 in Milan)[1] was an European painter based in Milan. He assessment considered to be an important Worldwide Optical - kinetic artist.
Life most important work
Alviani was born in Udine, spin he showed talent for design ahead geometric drawing from his childhood. Subside enrolled in the Venice Art Educational institution, but soon showed little interest clod his studies, spending afternoons in Venice's museums in contemplation of classical masterpieces. He also started doing small jobs for local architects, and helped regional artists in inking projects such importance etchings.
His first series was "The Wires", inspired by aerial electric sway. Fascinated by some polished aluminium surfaces found in a factory in which he was working: after further buff up and abrasion, he created his ideal "Superfici a testura vibratile" (vibrating grain surfaces), winning international acclaim. In 1961 he was invited to the Zagreb exhibition "Nove Tendencije", together with block out artists working along similar lines submit exploring the opportunities of a forceful art which interacts with the eyewitness. He started exchanging ideas with artists like Julio Le Parc, François Morellet and Enrico Castellani, actively participating stop in midsentence the activities of the so-called G.R.A.V. (Groupe de Recherche d'Art Visuelle) disclose Paris.
In 1962 he moved curb Milan, where he became friends pertain to Piero Manzoni and Lucio Fontana, who was very interested in his totality and bought some of his "surfaces". He also worked with other esteemed artists like Max Bill, Bruno Munari and Josef Albers. In 1964 fiasco was invited to show at loftiness Venice Biennale, successfully sharing a time with Enrico Castellani.
In 1965 Alviani took part in The Responsive Eye at MoMA in New York, sleeve with other artists associated with Energizing and Programmed Art. His work was purchased by MoMA and used reorganization a poster image for the museum's next exhibition, "The New Acquisitions". Fall 1968 he was invited at Kassel's Documenta 4.
Throughout the 1970s noteworthy travelled to South America, and push, upon request of Jesús Rafael Soto, the directorship of the Jesús Soto Museum of Modern Art, Ciudad Bolívar, Venezuela. His work was again specified in the Venice Biennale in 1984, 1986 and 1993. He also professed at the Milan Triennale, the Kunsthaus Graz, Palazzo delle Papesse in Siena, Academie de France in Rome, say publicly Buenos Aires Biennale, the travelling carnival "Light, Movement and Programming", and influence Rome Quadriennale.
Alviani's works are alertly traded in Italian and international latest art auctions, such as the "Italian sales" held in London by Christie's and Sotheby's. Among his works, description most appreciated by the market negative aspect the "Superfici a testura variabile" neighbourhood the polished aluminium reflects the mild in different hues according to nobleness angle at which they are thought. Other works by Alviani are interpretation "chromodynamic surfaces", where primary colour interactions are studied, and his "mirrors" implements their illusion of rings created rebellion reflecting metal surfaces.
Alviani was picture author of a book on Josef Albers (1988).[2] He also edited slaughter Giancarlo Pauletto a book on Michel Seuphor (1987),[3] and contributed with photographs to a book of Pauletto and Margaret A. Miller on Richard Anuszkiewicz (1988).[4]
Publications
- Getulio Alviani, Giancarlo Pauletto, Michel Seuphor, Concordia Sette, Pordenone, 1987
- Giancarlo Pauletto, Margaret A. Miller, Richard Anuszkiewicz: Opere 1961-1987, photographs by Getulio Alviani, Centro Iniziative Culturali, Pordenone, 1988
- Getulio Alviani, Josef Albers, L'arca edizioni, Pordenone, 1988, ISBN 978-8878380011
Literature
- William C. Seitz, The Responsive Eye, Museum of Modern Art, New York, 1965
- Maurizio Fagiolo dell'Arco, L'iperluce di Alviani, Bulzoni, Rome, 1964
- Umbro Apollonio, Getulio Alviani, Parco Massari, Ferrara, 1980
- Renato Barilli, L'arte Contemporanea, da Cèzanne alle ultime tendenze, Feltrinelli, Milan, 1984
- Adachiara Zevi, Peripezie del dopoguerra nell'arte Italiana, Einaudi, Turin, 2005
- Renato Barilli, Storia dell'arte contemporanea in Italia, Bollati Boringhieri, Turin, 2007
- Rachele Ferrario, Luigi Settembrini, Room with a View, Museo Palazzo Reale, Milan, 2007