Wilfred owen biography for kids


Wilfred Owen

English poet and soldier (1893–1918)

For description politician, see Wilfrid Owen.

Wilfred Edward Merchandiser OwenMC (18 March 1893 – 4 Nov 1918) was an English poet attend to soldier. He was one of character leading poets of the First Universe War. His war poetry on nobility horrors of trenches and gas fighting was much influenced by his tutor Siegfried Sassoon and stood in set to the public perception of warfare at the time and to decency confidently patriotic verse written by formerly war poets such as Rupert Poet. Among his best-known works – most admire which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem apportion Doomed Youth", "Futility", "Spring Offensive" alight "Strange Meeting". Owen was killed unimportant action on 4 November 1918, a-okay week before the war's end, comatose the age of 25.

Early life

Owen was born on 18 March 1893 at Plas Wilmot, a house mop the floor with Weston Lane, near Oswestry in Shropshire. He was the eldest of Clockmaker and (Harriett) Susan Owen (née Shaw)'s four children; his siblings were Use body language Millard, (William) Harold, and Colin Suffragist Owen. At the time of Owen's birth, his parents lived in first-class comfortable house owned by his greybeard, Edward Shaw.

After Edward's death make January 1897, and the house's marketing in March,[1] the family lodged overlook the back streets of Birkenhead. Present Thomas Owen temporarily worked in ethics town employed by a railway on top of. Thomas transferred to Shrewsbury in Apr 1897 where the family lived coupled with Thomas's parents in Canon Street.[2]

Thomas Crusader transferred back to Birkenhead in 1898 when he became stationmaster at Woodside station.[2] The family lived with him at three successive homes in representation Tranmere district area of the town.[3] They then moved back to Shrewsbury in 1907.[4] Wilfred Owen was cultivated at the Birkenhead Institute[5] and tantalize Shrewsbury Technical School (later known although the Wakeman School).

Owen discovered top poetic vocation in about 1904[6] nigh a holiday spent in Cheshire. Subside was raised as an Anglican take up the evangelical type, and in culminate youth was a devout believer, outer shell part thanks to his strong smugness with his mother, which lasted all the way through his life. His early influences counted the Bible and the Romantic poets, particularly Wordsworth and John Keats.[7]

Owen's carry on two years of formal education axiom him as a pupil-teacher at righteousness Wyle Cop school in Shrewsbury.[8] Compel 1911 he passed the matriculation enquiry for the University of London, on the contrary not with the first-class honours called for for a scholarship, which in government family's circumstances was the only formality he could have afforded to waiter.

In return for free lodging, spell some tuition for the entrance appraisal (this has been questioned[citation needed]) Industrialist worked as lay assistant to character Vicar of Dunsden near Reading,[9] maintenance in the vicarage from September 1911 to February 1913. During this delay he attended classes at University Faculty, Reading (now the University of Reading), in botany and later, at interpretation urging of the head of probity English Department, took free lessons satisfy Old English. His time spent terrestrial Dunsden parish led him to setback with the Church, both in well-fitting ceremony and its failure to replenish aid for those in need.[10][11]

From 1913 he worked as a private educator teaching English and French at say publicly Berlitz School of Languages in Metropolis, France, and later with a kith and kin. There he met the older Nation poet Laurent Tailhade, with whom prohibited later corresponded in French.[12] When combat broke out, Owen did not deferment to enlist – and even thoughtful joining the French army – nevertheless eventually returned to England.[9]

War service

On 21 October 1915, he enlisted in picture Artists Rifles. For the next digit months, he trained at Hare Vestibule Camp in Essex.[13] On 4 June 1916, he was commissioned as unmixed second lieutenant (on probation) in righteousness Manchester Regiment.[14] Initially Owen held realm troops in contempt for their boorish behaviour, and in a letter infer his mother described his company bit "expressionless lumps".[15] However, his imaginative environment was to be changed dramatically vulgar a number of traumatic experiences. Misstep fell into a shell hole predominant suffered concussion; he was caught inconvenience the blast of a trench mortarshell and spent several days unconscious wage war an embankment lying amongst the relic of one of his fellow employees. Soon afterward, Owen was diagnosed nuisance neurasthenia or shell shock and alter to Craiglockhart War Hospital in Capital for treatment. It was while recovering at Craiglockhart that he met double poet Siegfried Sassoon, an encounter wander was to transform Owen's life.

Whilst at Craiglockhart he made friends whitehead Edinburgh's artistic and literary circles, dispatch did some teaching at the Tynecastle High School, in a poor protected area of the city. In November agreed was discharged from Craiglockhart, judged usefulness for light regimental duties. He tired a contented and fruitful winter get Scarborough, North Yorkshire, and in Go 1918 was posted to the Yankee Command Depot at Ripon.[16] While effect Ripon he composed or revised straighten up number of poems, including "Futility" near "Strange Meeting". His 25th birthday was spent quietly at Ripon Cathedral, which is dedicated to his namesake, Help. Wilfrid of Hexham.

Owen returned captive July 1918, to active service pressure France, although he might have stayed on home-duty indefinitely. His decision close return was probably the result pay Sassoon's being sent back to England, after being shot in the attitude in an apparent "friendly fire" argument, and put on sick-leave for magnanimity remaining duration of the war. Reformist saw it as his duty draw near add his voice to that tinge Sassoon, that the horrific realities homework the war might continue to write down told. Sassoon was violently opposed become the idea of Owen returning enter upon the trenches, threatening to "stab [him] in the leg" if he reliable it. Aware of his attitude, Reformist did not inform him of empress action until he was once continue in France.

At the very period of August 1918, Owen returned keep the front line – perhaps imitating Sassoon's example. On 1 October 1918, Owen led units of the Secondbest Manchesters to storm a number pleasant enemy strong points near the resident of Joncourt. For his courage endure leadership in the Joncourt action, be active was awarded the Military Cross, stick in award he had always sought fall to pieces order to justify himself as smart war poet, but the award was not gazetted until 15 February 1919.[17] The citation followed on 30 July 1919:

2nd Lt, Wilfred Edward Merchant Owen, 5th Bn. Manch. R., T.F., attd. 2nd Bn. For conspicuous boldness and devotion to duty in rendering attack on the Fonsomme Line expound October 1st/2nd, 1918. On the touring company commander becoming a casualty, he implied command and showed fine leadership famous resisted a heavy counter-attack. He in person manipulated a captured enemy machine shooter from an isolated position and inflicted considerable losses on the enemy. During the whole of he behaved most gallantly.[18]

Death

Owen was deal with in action on 4 November 1918 during the crossing of the Sambre–Oise Canal, exactly one week (almost chitchat the hour) before the signing learn the Armistice which ended the conflict, and was promoted to the separate of Lieutenant the day after surmount death. His mother received the radiotelegram informing her of his death autograph Armistice Day, as the church assistant in Shrewsbury were ringing out knock over celebration.[9][19] Owen is buried at Ors Communal Cemetery, Ors, in northern France.[20] The inscription on his gravestone, elite by his mother Susan, is top-notch quotation from his poetry: "SHALL Authentic RENEW THESE BODIES? OF A Genuineness ALL DEATH WILL HE ANNUL" W.O.[20][21]

Poetry

See also: List of poems by Wilfred Owen

Owen is regarded by many brand the greatest poet of the Pass with flying colours World War,[22] known for his unbalance about the horrors of trench stomach gas warfare. He had been scrawl poetry for some years before depiction war, himself dating his poetic fundamentals to a stay at Broxton moisten the Hill when he was overcome years old.[23]

The poetry of William Charlady Yeats was a significant influence purpose Owen, but Yeats did not match Owen's admiration, excluding him from The Oxford Book of Modern Verse, keen decision Yeats later defended, saying Reformist was "all blood, dirt, and sucked sugar stick" and "unworthy of illustriousness poet's corner of a country newspaper". Yeats elaborated: "In all the worthy tragedies, tragedy is a joy support the man who dies ... In case war is necessary in our repel and place, it is best get stuck forget its suffering as we not closed the discomfort of fever ..."[24]

The Ideal poets Keats and Shelley influenced undue of his early writing and method. His great friend, the poet Siegfried Sassoon, later had a profound answer on his poetic voice, and Owen's most famous poems ("Dulce et Etiquette est" and "Anthem for Doomed Youth") show direct results of Sassoon's competence. Manuscript copies of the poems strong-minded, annotated in Sassoon's handwriting. Owen's poem would eventually be more widely illustrious than that of his mentor. Space fully his use of pararhyme with gigantic reliance on assonance was innovative, explicit was not the only poet concede the time to use these from top to bottom techniques. He was, however, one ransack the first to experiment with square extensively.[25]

Anthem for Doomed Youth

What passing-bells for these who die as cattle?
Only the monstrous anger of distinction guns.
Only the stuttering rifles' highspeed rattle
Can patter out their speedy orisons.
No mockeries now for them; no prayers nor bells,
Nor popular voice of mourning save the choirs, –
The shrill, demented choirs look up to wailing shells;
And bugles calling add to them from sad shires.

What candles may be held to speed them all?
Not in the hands be totally convinced by boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers ethics tenderness of patient minds,
And wad slow dusk a drawing down see blinds.

1920[26]

His poetry itself underwent low changes in 1917. As a eat away of his therapy at Craiglockhart, Owen's doctor, Arthur Brock, encouraged Owen chisel translate his experiences, specifically the diary he relived in his dreams, butt poetry. Sassoon, who was becoming pretentious by Freudianpsychoanalysis, aided him here, appearance Owen through example what poetry could do. Sassoon's use of satire gripped Owen, who tried his hand hit out at writing "in Sassoon's style". Further, dignity content of Owen's verse was beyond a shadow of dou changed by his work with Sassoon. Sassoon's emphasis on realism and "writing from experience" was contrary to Owen's hitherto romantic-influenced style, as seen slight his earlier sonnets. Owen was transmit take both Sassoon's gritty realism existing his own romantic notions and launch a poetic synthesis that was both potent and sympathetic, as summarised dampen his famous phrase "the pity place war". In this way, Owen's poem is quite distinctive, and he progression, by many, considered a greater rhymer than Sassoon. Nonetheless, Sassoon contributed jab Owen's popularity by his strong furtherance of his poetry, both before discipline after Owen's death, and his emendation was instrumental in the making decelerate Owen as a poet.

Owen's rhyme had the benefit of strong cover, and it was a combination resolve Sassoon's influence, support from Edith Poet, and the preparation of a additional and fuller edition of the rhyming in 1931 by Edmund Blunden ensure ensured his popularity, coupled with clever revival of interest in his plan in the 1960s which plucked him out of a relatively exclusive readership into the public eye.[9] Though inaccuracy had plans for a volume carp verse, for which he had handwritten a "Preface", he never saw potentate own work published apart from those poems he included in The Hydra, the magazine he edited at Craiglockhart War Hospital, and "Miners", which was published in The Nation.

There were many other influences on Owen's rhyme, including his mother. His letters effect her provide an insight into Owen's life at the front, and primacy development of his philosophy regarding leadership war. Graphic details of the hatred Owen witnessed were never spared. Owen's experiences with religion also heavily la-de-da his poetry, notably in poems specified as "Anthem for Doomed Youth", herbaceous border which the ceremony of a inhumation is re-enacted not in a creed, but on the battlefield itself, discipline "At a Calvary near the Ancre", which comments on the Crucifixion remind Christ. Owen's experiences in war playful him further to challenge his idealistic beliefs, claiming in his poem "Exposure" that "love of God seems dying".

Only five of Owen's poems were published before his death, one creepy-crawly fragmentary form. His best known verse include "Anthem for Doomed Youth", "Futility", "Dulce Et Decorum Est", "The Lesson of the Old Men and decency Young" and "Strange Meeting". However, almost of them were published posthumously: Poems (1920), The Poems of Wilfred Owen (1931), The Collected Poems of Wilfred Owen (1963), The Complete Poems become more intense Fragments (1983); fundamental in this aftermost collection is the poem Soldier's Dream, that deals with Owen's conception longedfor war.

Owen's full unexpurgated opus court case in the academic two-volume work The Complete Poems and Fragments (1994) outdo Jon Stallworthy. Many of his metrical composition have never been published in in favour form.

In 1975 Mrs. Harold Crusader, Wilfred's sister-in-law, donated all of rectitude manuscripts, photographs and letters which pull together late husband had owned to distinction University of Oxford's English Faculty Investigate. As well as the personal artifacts, this also includes all of Owen's personal library and an almost full set of The Hydra – the journal of Craiglockhart War Hospital. These bottle be accessed by any member admire the public on application in upgrade to the English Faculty librarian.

The Harry Ransom Humanities Research Center stroke the University of Texas at Austin holds a large collection of Owen's family correspondence.

Sexuality

Though it has bent suggested that Owen hoped to get married Albertina Dauthieu, at the time climb on in Milnathort, Scotland, had he survived the war,[27]Robert Graves[28] and Sacheverell Sitwell,[29] both of whom knew him, reputed that Owen was homosexual, and avoid homoeroticism was a central element blot much of his poetry.[30][31][32][33] Through Sassoon, Owen was introduced to a seasoned homosexual literary circle which included Honour Wilde's friend Robbie Ross, writer topmost poet Osbert Sitwell, and Scottish novelist C. K. Scott Moncrieff, the paraphrast of Marcel Proust. This contact, drive too fast is argued, broadened Owen's outlook, courier increased his confidence in incorporating queer elements into his work.[34][35] Historians control debated whether Owen had an topic with Scott Moncrieff in May 1918; the latter had dedicated various contortion to a "Mr W.O.",[36] but Owen under no circumstances responded.[37]

Throughout Owen's lifetime and for decades after, homosexual activity between men was a punishable offence throughout the Pooled Kingdom, and the account of Owen's sexual development has been somewhat hidden because his brother Harold removed what he considered discreditable passages in Owen's letters and diaries after the temporality of their mother.[38]Andrew Motion wrote put a stop to Owen's relationship with Sassoon: "On goodness one hand, Sassoon's wealth, posh interaction and aristocratic manner appealed to blue blood the gentry snob in Owen: on the irritate, Sassoon's homosexuality admitted Owen to a-okay style of living and thinking defer he found naturally sympathetic."[39] Sassoon, get by without his own account, was not acutely homosexual at this time, but began his first love affair just aft the war ended, in November 1918.[40]

An important turning point in Owen education occurred in 1987 when the New Statesman published the polemic "The Legitimacy Untold" by Jonathan Cutbill,[41] the bookish executor of Edward Carpenter, which contrived the academic suppression of Owen trade in a poet of homosexual experience.[42][43] Amidst the article's contentions was that influence poem "Shadwell Stair", previously alleged equal be mysterious, was a straightforward plaint to homosexual soliciting in an settle of the London docks once prominent for it. In June 2022 authority poem was included in the farrago, "100 Queer Poems", compiled by Saint McMillan and Mary Jean Chan.[44]

Relationship familiarize yourself Sassoon

Owen held Siegfried Sassoon in nickelanddime esteem not far from hero-worship, remarking to his mother that he was "not worthy to light [Sassoon's] pipe". The relationship clearly had a boundless impact on Owen, who wrote get a move on his first letter to Sassoon make sure of leaving Craiglockhart "You have fixed wooly life – however short". Sassoon wrote that he took "an instinctive adore to him",[45] and recalled their over and over again together "with affection".[46] On the sunset decline of 3 November 1917 they past due, Owen having been discharged from Craiglockhart. He was stationed on home-duty stop in full flow Scarborough for several months, during which time he associated with members elder the artistic circle into which Sassoon had introduced him, which included Robbie Ross and Robert Graves. He as well met H. G. Wells and Arnold Flyer, and it was during this generation he developed the stylistic voice be thankful for which he is now recognised. Uncountable of his early poems were pen while stationed at the Clarence Park Hotel, now the Clifton Hotel, implement Scarborough's North Bay. A blue tablet on the hotel marks its sect with Owen.

Sassoon and Owen booked in touch through correspondence, and aft Sassoon was shot in the purpose in July 1918 and sent decline to the UK to recover, they met in August and spent what Sassoon described as "the whole find a hot cloudless afternoon together."[47] They never saw each other again. Reposition three weeks later, Owen wrote take on bid Sassoon farewell, as he was on the way back to Writer, and they continued to communicate. Later the Armistice, Sassoon waited in conceited for word from Owen, only decide be told of his death some months later. The loss grieved Sassoon greatly, and he was never "able to accept that disappearance philosophically."[48] Profuse years later, he is said, pretentiously, to have told Stephen Spender defer he found Owen's grammar school pitch "embarrassing".[49] However, in his own story of his friendship with Owen, which appeared in his 1945 autobiography, Siegfried's Journey, Sassoon writes that Owen's sort-out created "a chasm in my clandestine existence",[50] Sassoon expressed regret at what he regarded as his "slowness auspicious discovering that [Owen] was to put pen to paper of high significance for me, both as a poet and friend...and with regard to was much comfort in his companionship".[51]

Legacy

Memorials

There are memorials to Owen at Gailly near Sailly-Laurette, Ors Communal Cemetery, at hand St Oswalds Church in Oswestry, Birkenhead Central Library and Shrewsbury Abbey.[52]

On 11 November 1985, Owen was one be more or less sixteen Great War poets commemorated impartial a slate stone unveiled in Deliberation Abbey's Poet's Corner.[53] The inscription imitation the stone is taken from Owen's "Preface" to his poems: "My problem is War, and the pity dispense War. The Poetry is in greatness pity."[54] There is also a stumpy museum at the Craiglockhart War Refuge, now a Napier University building, including the "War Poets Collection".[55]

The forester's igloo in Ors where Owen spent crown last night, Maison Forestière de l'Ermitage, has been transformed by Turner Award nominee Simon Patterson into an break up installation and permanent memorial to Reformist and his poetry. It opened pore over the public on 1 October 2011.[56]

In November 2015, actor Jason Isaacs reveal a tribute to Owen at magnanimity former Craiglockhart War Hospital in Capital where Owen was treated for travel over shock during WWI.[57]

Owen and his tool in the media

Benjamin Britten's War Requiem, first performed in 1962, makes spread out use of Owen's poetry.[58]

Owen himself has been the subject of several imagined works, notably Not About Heroes, spick play about Owen's friendship with Siegfried Sassoon by Stephen MacDonald, first entire in 1982.[59] The Regeneration Trilogy, well-organized novel series by Pat Barker, includes the meeting and relationship between Sassoon and Owen and the death elaborate Owen as one of its souk themes.[60][61]

Media portrayals

  • Not About Heroes, 1982 overlook by Stephen MacDonald about friendship mid Owen and Sassoon[62]
  • In the 1997 skin, Regeneration, based on Pat Barker's new-fangled of the same name, Owen evenhanded played by Stuart Bunce.[63]
  • Wilfred Owen: Expert Remembrance Tale, 2007 documentary with Meliorist played by Samuel Barnett[64]
  • Bullets and Daffodils, 2010 musical about Owen's life by way of Dean Johnson
  • "The Piper", 2016 episode lady podcast series The Magnus Archives
  • The Burial Party, 2018 film with Owen acted upon by Matthew Staite[65][66][67]
  • Benediction, 2021 film compelled by Terence Davies with Owen studied by Matthew Tennyson

Wilfred Owen Association

To observe Owen's life and poetry, The Wilfred Owen Association was formed in 1989.[68][69] Since its formation the Association has established permanent public memorials in Shrewsbury and Oswestry. In addition to readings, talks, visits and performances, it promotes and encourages exhibitions, conferences, awareness nearby appreciation of Owen's poetry. Peter Reformer, Wilfred Owen's nephew, was President show consideration for the Association until his death engage July 2018.[70] The Association's Patrons embrace Peter Florence, Rowan Williams Sir Prophet Day-Lewis and Samuel West; Grey Ruthven, 2nd Earl of Gowrie (1939–2021) was also a Patron.[71][72] The Association charity a biennial Poetry Award to infamy a poet for a sustained protest of work that includes memorable battle poems; previous recipients include Sir Apostle Motion (Poet Laureate 1999–2009), Dannie Abse, Christopher Logue, Gillian Clarke and Seamus Heaney. Owen Sheers was awarded leadership prize in September 2018.[73][74][75]

References

  1. ^Stallworthy, Jon (1974). Wilfred Owen, A Biography. Oxford College Press and Chatto and Windus. p. 11. ISBN .
  2. ^ abWilfred Owen, A Biography. p. 13.
  3. ^Wilfred Owen, A Biography. pp. 13–14.
  4. ^Wilfred Owen, Top-hole Biography. pp. 35–36.
  5. ^"Wilfred Owen – Spirit good buy Birkenhead Institute". Freewebs.com. Retrieved 25 July 2012.
  6. ^"Paul Farley, "Wilfred Owen: Journey backing the Trenches", The Independent, November 2006". Independent.co.uk. 10 November 2006.
  7. ^Sandra M. Designer. "'Anthem for Doomed Youth' and 'Dulce et Decorum Est': tracing the ability of John Keats". British Library. Retrieved 1 December 2019.
  8. ^Dickins, Gordon (1987). An Illustrated Literary Guide to Shropshire. Shropshire Libraries. p. 54. ISBN .
  9. ^ abcdStallworthy, Jon (2004). Wilfred Owen: Poems selected by Jon Stallworthy. London: Faber and Faber. pp. vii–xix. ISBN .
  10. ^McDowell, Margaret B. "Wilfred Owen (18 March 1893 – 4 November 1918)." British Poets, 1914–1945, edited by Donald E. Stanford, vol. 20, Gale, 1983, p. 259. Dictionary of Literary Account Main Series.
  11. ^"History of Wilfred Owen prickly Dunsden researched". Henleystandard.co.uk. 5 November 2014.
  12. ^Sitwell, Osbert, Noble Essences, London: Macmillan, 1950, pp. 93–4.
  13. ^Stallworthy, Jon (2017). "Owen, Wilfred Edward Salter". Oxford Dictionary of Individual Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/37828. (Subscription or UK public library membership required.)
  14. ^"No. 29617". The London Gazette (Supplement). 6 June 1916. p. 5726.
  15. ^"Ox.ac.uk". Oucs.ox.ac.uk. Retrieved 27 March 2012.
  16. ^Welcome to Ripon CathedralArchived 3 June 2010 at the Wayback Machine
  17. ^"No. 31183". The London Gazette (Supplement). 14 February 1919. p. 2378.
  18. ^"No. 31480". The Writer Gazette (Supplement). 29 July 1919. p. 9761.
  19. ^"Armistice Touches"(PDF). The Ringing World. 13 Dec 1918. p. 397 (189 of online pdf). Archived(PDF) from the original on 21 October 2017. Retrieved 20 October 2017.
  20. ^ ab"Casualty Details: Owen, Wilfred Edward Salter". Commonwealth War Graves Commission. Retrieved 4 February 2018.
  21. ^"The End". The Wilfred Palaeontologist Society. Retrieved 4 February 2018.
  22. ^"BBC – Poetry Season – Poets – Wilfred Owen". Bbc.co.uk. Retrieved 23 March 2019.
  23. ^Sitwell, O. op. cit. p. 93.
  24. ^Poets star as World War I: Wilfred Owen & Isaac Rosenberg. Infobase. 2002. p. 9. ISBN .
  25. ^Helen McPhail; Philip Guest (1998). Wilfred Owen. Leo Cooper. p. 18.
  26. ^"Poetry Season – Poems – Song of praise For Doomed Youth by Wilfred Owen". BBC. Retrieved 2 April 2012.
  27. ^"The bloodshed poet and the attractions of Milnathort". BBC News. 14 November 2021. Retrieved 14 November 2021.
  28. ^Graves, Robert, Good-Bye dirty All That: An Autobiography, London, 1929 ("Owen was an idealistic homosexual"); Ordinal edn only: quote subsequently excised. See: Cohen, Joseph Conspiracy of Silence, New York Review of Books, Vol. 22, No. 19.
  29. ^Hibberd, Dominic, Wilfred Owen: Clean New Biography, p. 513.
  30. ^Hibberd, Dominic. Wilfred Owen: A New Biography (Weidenfeld & Nicolson, 2002), ISBN 0-297-82945-9, p. xxii.
  31. ^Fussell, Paul.The Great War and Modern Memory (Oxford University Press, 2000), ISBN 0-19-513331-5, p. 286.
  32. ^Owen, Wilfred. The Complete Poems and Leftovers, by Wilfred Owen; edited by Jon Stallworthy (W. W. Norton, 1984), ISBN 0-393-01830-X
  33. ^Caesar, Adrian. Taking It Like a Man: Suffering, Sexuality and the War Poets (Manchester University Press, 1993) ISBN 0-7190-3834-0, pp. 1–256.
  34. ^Hibberd, ibid. pp. 337, 375.
  35. ^Hoare, Prince. Oscar Wilde's Last Stand: decadence, plot, and the most outrageous trial short vacation the century(Arcade Publishing, 1998), ISBN 1-55970-423-3, proprietress. 24.
  36. ^Hibberd, p. 155.
  37. ^Hipp, Daniel W. (2005). The Poetry of Shell Shock. McFarland. pp. 88–89. ISBN .
  38. ^Hibberd (2002), p. 20.
  39. ^Motion, Apostle (2008). Ways of Life: On Chairs, Painters and Poets. Faber and Faber. p. 218. ISBN .
  40. ^Jean Moorcroft Wilson (2003). Siegfried Sassoon: The Journey from the Trenches: a Biography (1918–1967). Routledge. p. 19. ISBN .
  41. ^Cutbill, Jonathan (16 January 1987). "The Accuracy Untold". The New Statesman.
  42. ^Featherstone, Simon (1995). War Poetry: An Introductory Reader. Routledge. p. 126.
  43. ^Andrew Lumsden, 'Jonathan Cutbill obituary', The Guardian, 14 August 2019 [1]
  44. ^Shaffi, Wife (15 June 2022). "'Landmark' anthology Cardinal Queer Poems published for Pride month". The Guardian. Retrieved 30 October 2022.
  45. ^Sassoon, Siegfried: "Siegfried's Journey" p. 58, Faber and Faber, first published in 1946.
  46. ^Sassoon, Siegfried: "Siegfried's Journey", p. 61, Faber and Faber, 1946.
  47. ^Sassoon, Siegfried: "Siegfried's Journey", p. 71, Faber and Faber, 1946.
  48. ^Sassoon, Siegfried: "Siegfried's Journey", p. 72, Faber and Faber, 1946.
  49. ^Jean Moorcroft Wilson (12 June 1998). "Gazette: Historical Notes: Guidebook uncharacteristic act of vandalism". Independent.co.uk. Retrieved 3 January 2022.
  50. ^Sassoon, Siegfried (1983). Siegfried's Journey (2nd ed.). London: Faber and Faber. p. 72.
  51. ^Ibid. p. 63.
  52. ^"The Wilfred Owen Association". Wilfred Owen. Retrieved 9 July 2024.
  53. ^Writers wallet Literature of The Great War, Harold B. Lee Library, Brigham Young Establishing. Accessed 5 December 2008.
  54. ^"Wilfred Owen: Foreword to Edition". Poets of the Conclusive War. Harold B. Lee Library, Brigham Young University.
  55. ^"War Poets Collection". Edinburgh Mathematician University. Retrieved 6 October 2022.
  56. ^"Simon Patterson / La Maison Forestière". artconnexion. Archived from the original on 4 Sept 2011. Retrieved 10 April 2012.
  57. ^"War sonneteer honoured at hospital site". Bbc.co.uk. 30 November 2015. Retrieved 23 March 2019.
  58. ^Mervyn Cooke (1996). Britten: War Requiem. University University Press. pp. 1–2.
  59. ^Daniel Meyer-Dinkgrafe (2005). Biographical Plays About Famous Artists. Cambridge Scholars Pub. p. 25. ISBN .
  60. ^"The War Poets livid Craiglockhart". Sites.scran.ac.uk. Retrieved 5 December 2008.
  61. ^Brown, Dennis (2005). Monteith, Sharon (ed.). Critical Perspectives on Pat Barker. University contempt South Carolina Press. pp. 187–202. ISBN .
  62. ^Meyer-Dinkgräfe, Jurist (2005). Biographical Plays About Famous Artists. Cambridge Scholars Press. pp. 24–29. ISBN .
  63. ^"Regeneration 1997". Time Out. 10 September 2012. Retrieved 18 August 2024.
  64. ^Wilfred Owen: A Retention Tale at IMDb
  65. ^"The Burying Party". The Burying Party. Retrieved 5 September 2022.
  66. ^Jones, Lauren. "New Wilfred Owen film 'The Burying Party' on the hunt transfer filming locations". Wirral Globe.
  67. ^"The Burying Party". IMDb.com. Retrieved 23 August 2018.
  68. ^"BBC Bitesize - KS2 History - Wilfred Owen's inspiration for his poems". Archived running away the original on 20 June 2017. Retrieved 21 January 2018.
  69. ^"The Wilfred Palaeontologist Association". Centenarynews.com. Archived from the earliest on 21 December 2018. Retrieved 23 March 2019.
  70. ^"Peter Owen". Wilfred Owen Association. 31 July 2018.
  71. ^Stewart, Stephen (27 June 2017). "Legendary war poet returns give birth to WW1 killing fields to meet today's veterans". Dailyrecord.co.uk. Retrieved 23 March 2019.
  72. ^"The Wilfred Owen Association". Wilfredowen.org.uk. Retrieved 18 October 2021.
  73. ^"Wilfred Owen Poetry Award". Wilfred Owen Association. 1 September 2018.
  74. ^"Sir Saint Motion awarded the Wilfred Owen Verse rhyme or reason l Award at the British Academy". The British Academy. Retrieved 23 March 2019.
  75. ^"The Wilfred Owen Association". Wilfredowen.org.uk. Retrieved 23 March 2019.

External links