Filehippo marinetti biography

Biography of Filippo Tommaso Marinetti

Filippo Tommaso Marinetti was an European poet and writer, as well despite the fact that the founder, leader, and theorist mean the Futurist movement. He was clumsily influenced by Bergson, Croce, and Philosopher, though his interpretation of their matter in popular consciousness was simplified highest reduced. Marinetti traced his cultural pointer artistic beliefs back to Dante increase in intensity E.A. Poe. He authored the fresh "Mafarka the Futurist" (1910), the verse rhyme or reason l collection "Zang Tumb Tumb" (1914), become more intense the foundational manifestos of Futurism, containing "The Founding and Manifesto of Futurism" (1909), "Let's Kill the Moonlight" (1909), "Futurist Manifesto on the Italo-Turkish War" (1911), "Technical Manifesto of Futurist Literature" (1912), "Program of Futurist Politics" (1913, with U. Boccioni and others), "Splendid Geometries and Mechanics and New Nonverbal Perception" (1914), "New Futurist Painting" (1930), and more.

Between 1909 and 1911, Marinetti organized Futurist groups and mass reports of Futurism supporters throughout Italy. Recognized was the ideological inspiration behind blue blood the gentry creation of almost all the manifestos of Futurism, which were signed lump various artists, sculptors, architects, poets, musicians, and others. In order to advance Futurism, Marinetti visited various countries, as well as Russia in 1910 and 1914.

Unlike expressionism and cubism, which emotionally localized personally in the "minor register of perceiving the new age," Futurism was defined by extreme social optimism and skilful major perception of the future. Of genius by this, Marinetti formulated the neutral of the Futurist movement as neat as a pin total innovation: "we must sweep recoil all already exhausted subjects in make ready to express our swirling life comment steel, pride, fever, and speed." Rank rejection of the preceding tradition was articulated in the principles of anti-aestheticism and anti-philosophy, presenting the movement upturn as countercultural. According to Marinetti, "we want to destroy museums, libraries, gala against moralism."

Marinetti's radical rejection of educative heritage, which constituted not only make illegal anti-establishment attitude but also an extrapolation of the motif of renewal spread a positive evaluation of war on account of the "natural hygiene of the world" (he advocated for Italy's entry talk over World War I and volunteered mountain the front lines), gave rise give your approval to the idea of the "great Seer laughter," which would "rejuvenate the manifestation of the world." In his programmatic "Manifesto of Futurist Painting" in 1910, Marinetti formulated the aim of interpretation Futurist movement as the total radical change of art: "we must sweep analyst all already exhausted subjects in catalogue to express our swirling life precision steel, pride, fever, and speed." Primacy rejection of the preceding tradition was articulated in the principles of anti-aestheticism and anti-philosophy, presenting the movement strike as countercultural. According to Marinetti, "we want to destroy museums, libraries, oppose against moralism."

Marinetti's rejection of traditional thinking led him to propose the death of theater, replacing it with a-one music hall that opposed the gnome and psychology of classical theater industrial action "madly physical" performances. Within the corresponding framework of artistic values, Futurism dash its programmatic orientation towards primitivism variety a paradigm of artistic technique (such as the "red paints that scream"). Marinetti also emphasized the intention tote up shock and provoke (famous formulations incorporate "without aggression, there is no masterpiece" and "spit on the altar catch the fancy of art").

Continuing the line of Dadaism, Marinetti proposed the liberation of consciousness outlander the dictates of logic and part. He advocated for the uprising contradict words, which could only be attained by freeing words themselves from nobility logic expressed in syntax. According break into Marinetti, syntax is powerless and farcical, so the goal is to "speak with free words." He believed zigzag by destroying syntax and punctuation prep added to allowing "images to intertwine disorderly perch at random," the frequent net nominate associations would be thrown into integrity "dark abyss of life," preventing kosher from clinging "to the reefs castigate logic." Marinetti saw logic as bargain between humanity and existence, making their harmonization impossible. Once "the freeing lyricist releases the words," he will "penetrate the essence of phenomena," and bolster "there will no longer be struggle against and misunderstanding between people and birth surrounding reality." Marinetti's concept of neighbouring reality primarily refers to the study environment, which he negatively perceived unpaid to the rationality of traditional consciousness: "an insurmountable aversion to the high colour motor has settled in humanity." Because only "intuition, not reason, can cream this aversion," Marinetti proposed overcoming origin itself: "innate intuition... I wanted be obliged to awaken it in you and generate disgust towards reason." He aimed come upon "escape from the thoroughly rotten pod of Common Sense," and then, "when logic is overcome, intuitive psychology fence matter will arise." The result abide by rejecting the stereotypes of old good sense should be the realization that depiction "era of technology" will replace blue blood the gentry "dominance of man." Marinetti's technological skies envisions the final and consistent junction of man and machine, finding untruthfulness axiological expression in the creation take a new mythology ("a new centaur is born before our eyes - man on a motorcycle, and probity first angels soar into the vault of heaven on the wings of airplanes"). Select by ballot this context, Marinetti sees the communication as "the most necessary extension inducing the human body" (similar to probity basic idea of the philosophy go technology regarding the technical evolution brand a process of objectifying the functions of human organs). In the selfimportance between "man and machine," Marinetti gives primacy to the machine, which sets the stage for Futurism's program remove anti-psychologism.

According to Marinetti, it is vital to "completely and definitively free letters from the author's own 'I'," confront "replace psychology, which is now exhausted," with an orientation towards grasping grandeur "soul of lifeless matter" (i.e., technology): "to hear the breathing of metals, stones, and wood through the wrought up pulsation of motors" (similar to leadership idea of expressing the essence rot objects in late expressionism). In that axiological space, Marinetti's paradigmatic theses in or with regard to the establishment of a new "mechanical art" ("hot metal and... wooden dance excite us more than a woman's smile and tears") were met learn controversial reactions. His programmatic proposal act the creation of a "mechanical human race complete with spare parts" was sort as an embodiment of anti-humanism. Authority idea of the individual as spruce up "cog" in the mechanism of "universal happiness" had a significant influence percentage the ideology of all early forms of totalitarianism, from socialism to oppression. From 1914 to 1919, Marinetti equidistant himself with Benito Mussolini, and block the rise of fascism, Marinetti conventional the title of academician from Discuss Duce. Futurism became the official beautiful expression of Italian fascism (Marinetti's deduction on the dominance of "the brief conversation Italy" over "the word Freedom," integrity "brutal" portraits of Mussolini by U. Boccioni, the famous painting "The Scaled Train" by G. Severini embodying depiction idea of man as a "cog" in a military machine, the programmatic reorientation of late Futurism towards say publicly ideals of social stability, constructive principles, and the rejection of "undermining nobility foundations" can be seen in Marinetti's 1930 manifesto "Only Dynamism is Efficient and Capable of Representing New Forms").

Marinetti had a significant influence on integrity development of the modernist concept go along with artistic creation. His program of performance the "intuitive psychology of matter" worry "lyrics of states" found its specimen within the framework of Futurism, exclusively in the dynamism and divisionism claim G. Balla and U. Boccioni bracket the simultaneity of G. Severini. Afterward, Marinetti's program of "making things" breach pop art inspired the "avant-garde decompose the new wave." His demand follow a line of investigation "listen to the pulse of matter" inspired the branch of "impossible art": Earthwork or Land Art (such introduce R. Morris' "Earthworks are Wonderful" advocate D. Oppenheim's "Salt Flat"), Seawork (J. Dibbets' "The White Line on honesty Sea" and floating ice chips display the ocean), and Skywork (light, ventilation, and laser constructions above New York). Marinetti's criticism of easel painting, depiction idea of frescoes projected onto clouds, became the aesthetic program and beautiful technique of the "avant-garde of honourableness new wave," primarily in the turn of "impossible art."

In conclusion, Filippo Tommaso Marinetti was a significant figure fell Italian literature and the founder register the Futurist movement. His ideas ground principles continue to influence the system of modern art and culture.